ABA Journal Podcast

Ryan and I were interviewed for the ABA Journal’s podcast.  You can listen to the episode online here.  Thanks to Lee Rawles for a great interview!  Just a reminder: if you haven’t voted for your favorite blogs in the ABA Journal Blawg 100, voting is open until December 21st.

Green Lantern # 76

With Green Lantern # 76, first released in April 1970, DC started a radically different project than anything they’d done with the title before. For the next fourteen or so issues, Green Lantern would team up with Green Arrow to travel the country—mostly the Pacific Northwest, it seems—to find “the real America” and deal with pressing, real-world social issues along the way. It’s timely that we look at this now, for not only is Arrow now running on The CW, but DC has re-released this iconic run in a trade paperback. One imagines that this might have been timed to coincide with the show.

The run is not renowned for its subtlety—comic books were largely targeted at teenage boys (as they mostly still are) and hadn’t gained the sheen of respectability they now enjoy—but it does have this classic page, where a superhero is actually asked why they seem to be so useless.

Anyway, as one might imagine, this run is chock full of stuff for us to write about. In the first issue, #76, we have the case of a slumlord who gets in a street altercation and is allegedly planning to raze a tenement he owns. Continue reading

The Hobbit Contract

Ordinarily we don’t discuss legal issues relating to fictional settings that are dramatically different from the real world in terms of their legal system.  Thus, Star Wars, Star Trek, Tolkien’s Middle Earth, etc are usually off-limits because we can’t meaningfully apply real world law to them.  But the contract featured in  The Hobbit: An Unexpected Journey (which comes out this next weekend!) was just too good a topic to pass up, especially since you can buy a high quality replica of it, which is what I’m using for these posts.  The contract is over 5 feet long unfolded and is fairly dense with text, so there will probably be multiple posts about it.

There are a couple of reasons why I’ve decided to break our rule and write about the contract.  First, it seems fairly clear (to me, anyway) that Tolkien wrote the Shire (where hobbits live) as a close analog to pastoral England, with its similar  legal and political structures.  For example, the Shire has a mayor and sheriffs, and there is a system of inheritance similar to the common law.  The common law fundamentals of contract law have not changed significantly since the time that the Shire is meant to evoke, so it makes sense that the contract would be broadly similar to a modern contract (and likewise that we could apply modern contract law to it).  Second, reading the contract it seems likely that a lawyer (or at least someone who had read a lot of contracts or did some research) had a hand in writing it.  We will not have to struggle to find legal issues to discuss here; they pretty well leap off the page.

So, without further ado it, let’s get to it.

I. The Contract in General

As mentioned, the contract is quite long.  This is in contrast with the contract as described in the book, which is very terse.  Its terms amounted to this:

For your hospitality our sincerest thanks, and for your offer of professional assistance our grateful acceptance. Terms: cash on delivery, up to and not exceeding one fourteenth of total profits (if any); all travelling expenses guaranteed in any event; funeral expenses to be defrayed by us or our representatives, if occasion arises and the matter is not otherwise arranged for.

Even in the book’s version we see an issue: the dwarves accept Bilbo’s “offer” but then proceed to give terms.  This is not actually an acceptance but rather a counter-offer, since they’re adding terms.  In the end it doesn’t matter because Bilbo effectively accepts the counter-offer by showing up and rendering his services as a burglar, but the basic point is that the words of a contract do not always have the legal effect that they claim to have.  Sometimes you have to look past the form to the substance.

But back to the movie version.  It has at least 40 major sections and numerous footnotes and digressions in smaller type.  We will begin at the beginning, go on till we reach the end, and then stop, except where the form of the contract requires some jumping around.

II. Entire Agreement Clauses and the Parol Evidence Rule

The contract (titled “Conditions of Engagement”) begins thus:

Agreed hereto, freely and under neither duress nor force nor coercion nor extortion nor threat to life and/or limb and superceding any prior contract, agreement or undertaking, survivable clauses notwithstanding, signed and witnessed below, as set forth hereunder:

This section has two major parts.  First, there is a recital that the contract is entered into voluntarily.  Mutual assent is required for any contract, and although duress would make a contract voidable, the recital isn’t terribly meaningful.  After all, one can just as easily be forced to sign a contract that has such a recital as one that doesn’t, so it doesn’t really prove anything.  However, it’s the sort of “can’t hurt”, boilerplate legalese that sets the style for the rest of the contract.

Next, there is a kind of “entire agreement clause” or integration clause.  This is a very common and important part of many contracts.  The purpose of an integration clause is to make it clear that the contract constitutes the entire agreement between the parties (hence the term).  That is, that all other prior versions of the contract, oral or written negotiations, etc are immaterial.  What matters is only what’s on this particular written contract.  Why is this important?  Because otherwise one party or the other might try to import terms or definitions into the contract from earlier versions or from prior negotiations or discussions.

For example, suppose the contract defines the term “profits” in a certain way, and further suppose that Bilbo and the Dwarves discussed profits at the party before signing the contract.  If there is a disagreement about the meaning of the term, can Bilbo or the Dwarves bring up the prior discussion?  Not if there is a valid integration clause.  This is what’s known as the parol evidence rule.

The integration clause at the beginning of the contract is backed up by another one later on in the contract:

This agreement constitutes the entire agreement between the parties, and replaces and supercedes all prior understandings and agreements, whether written or oral, with respect to the subject matter described and set forth herein.

Now that clause could have been lifted directly from a modern contract (and probably was).

III. Additions and Changes

Next we see a few different places in the contract that refer to changes to or amendments to the contract:

(And as appended to from time to time at the sole discretion of the Director, with the new material being read as if originally included herein)

Conditions subsequently appended or added to this Contract are automatically assumed to be agreed upon, as if they were present, read and understood at the signing and witnessing thereof.

Burglar may not modify or charge this Contract in any way except by a writing signed and agreed to by both parties hereto.

As you might guess, the first two clauses are highly suspect.  The parties to a contract can always agree to modify a contract or substitute a new contract, but there is still the requirement of mutual assent, and one can’t assent to something that one hasn’t seen.  The third clause is much closer to what one sees in modern contracts, particularly the requirement of a signed writing for any modifications (as opposed to allowing modification by oral agreement).

Since the contract has a couple of blatantly unenforceable terms, does that make the whole thing unenforceable?  Ordinarily it might, but not in this case, thanks to…

IV. The Severability Clause

The contract contains a couple of severability clauses, which allow unenforceable parts of the contract to be severed from the contract without affecting the rest:

If any provision of this Contract is held unenforceable, then such provision shall be modified to reflect the parties’ intention. All remaining provisions of this Contract shall remain in full force and effect.

If any part of this Contract is found to be invalid, the remainder of the contract will continue in full force and effect as if the defective and invalid provision or clause or condition had been deleted, provided that the parties to this contract are entitled to negotiate a valid and enforceable provision in replacement of the invalid provision.

Severability clauses (also sometimes called savings clauses) are a common part of modern contracts.  They’re also sometimes included in new laws, so that if part of the law is struck down then the rest of it remains in force.

V. Conclusion

So far the contract is reasonably well written, although it contains a few suspect terms.  We’ve only just scratched the surface, so look forward to more coverage of the contract in the coming weeks!

Lincoln

Lincoln is the 2012 Steven Spielburg biopic starring Daniel Day-Lewis, who bears an uncanny resemblance to the titular President. The film is excellent, but as always, we’re not really reviewing it on its merits, but on its handling of the legal issues it touches. The movie is a dramatization of the 2006 book Team of Rivals: The Political Genius of Abraham Lincoln by Doris Kearns Goodwin, which centers at least as much on Lincoln’s Cabinet, especially William H. Seward, Salmon P. Chase, and Edward Bates, all of whom were candidates for the Presidency in 1860, all of whom were recruited by Lincoln to serve in his administration. The movie focuses mostly on William H. Seward (David Strathairn, apparently on break from Alphas).

Here, we’re going to look at three particular issues. First, the procedural requirements for the passage of a constitutional amendment. Second, the procedure regarding contested congressional elections. And third, the use of patronage to accomplish Lincoln’s political goals. Continue reading

Arrow: “Honor Thy Father”

This is the second episode of Arrow, and it contains two excellent legal issues for your consideration. First, the legal procedure of coming back from the dead. Second, whether the “evidence” Queen provides against Martin Sohmers would be admissible. Continue reading

2012 ABA Journal Blawg 100

We are proud to announce that Law and the Multiverse has been named to the ABA Journal Blawg 100 for the second year.  Thanks to everyone who nominated us!  As with last year, the ABA Journal is taking votes on the best law blogs in each category (we’re in the “For Fun” category).  Unlike blog nominations, voting is open to everyone.

Bruce Banner, Juvenile Delinquent

(Note from May 8, 2020: Subculture for the Cultured is no longer online, so the links in this post have been changed to use the Internet Archive Wayback Machine.)

This month’s Subculture for the Cultured column discusses Bruce Banner, an attempted school bombing, insanity, and juvenile delinquency.  Check it out!

Newstalk Radio Ireland

In case you missed it live, I was on Newstalk Radio Ireland’s Moncrieff show on Tuesday to talk about our book, The Law of Superheroes.  This was my second time to appear on the show, and I had a great time; Sean always makes for a fun interview.  You can hear the interview here (skip to 8:07).

In other book news: check out this review in The Wall Street Journal!

Arrow: Pilot

Arrow is the new show on the CW network, the same network that ran Smallville. This isn’t actually a spinoff about Justin Hartley’s Green Arrow from Smallville (much to the disappointment of some fans, I’m sure) nor does Allison Mack make a reappearance as Chloe Sullivan (much to my disappointment), but it represent’s the CW’s exercise of its existing rights to the Green Arrow character.

The show actually provides some rather unique opportunities to delve into legal issues, for two reasons. First, and perhaps most obviously, Green Arrow isn’t a superhuman. He’s a guy that happens to be really good with a bow and arrow. So there’s no obvious connection to Krypton, alternate dimensions, other planets, all the stuff that, while fun to watch, doesn’t leave very much for us to talk about. That’s why we’ll probably never talk about Firefly or Star Trek: those worlds, while fun, are obviously using a different legal system than ours. It’s also why shows like Smallville only occasionally gave us good fodder. We had a series of posts about it last year (one, two, three) but especially as the series went on, the stories had more and more to do with the fantastical, taking it out of our particular area of interest.

But second, and more importantly, one of the main characters—Arrow’s version of Dinah Laurel Lance, known in the comics as Black Canary—is a lawyer. This is a departure from Lance’s portrayals in other media, so we do not at this point know if she is destined to become Black Canary in the TV show. But having  only watched the first two episodes so far, there’s some real potential for recurring legal interest here.

Not a whole ton happens in the pilot episode. Oliver Queen, billionaire playboy, returns to society after having spent five years on a presumably deserted island in the North China Sea. A lot of the implications of that, and what actually happened, are going to be explored in future episodes. But Queen does take on the mantle of Green Arrow in this episode. And boy howdy does he not mind roughing people up. Getting shot with a broadhead arrow, the kind that Green Arrow mostly uses so far, is no laughing matter. They’re reputed to slice through ballistics vests, and that aside, they’re designed to cause large amounts of damage. Getting hit with one would be at least as bad as getting shot with a pistol or rifle. At least they don’t leave a huge honking shaft in you afterward. And several people get shot every episode, with no mention of Queen using non-lethal arrows with blunted tips, which would suck but probably not do much damage most of the time.

This puts Queen on pretty shaky ground, legally speaking.  In most (if not all) states he’s using a deadly weapon.*  He’s also using deadly force, as he’s causing serious bodily injury or at least engaging in conduct which is reasonably likely to do so. And at least so far, he isn’t using deadly force in his own defense or the defense of others. Not in a context that the law would recognize as a defense anyway. Defending self or others with deadly force has to be the in the context of immediate peril of serious bodily injury or death. The fact that someone is engaged in unjust litigation or has defrauded other people? Not grounds for violence of any kind.

* New Hampshire’s Supreme Court has held that a bow and arrow is not an inherently deadly weapon (and thus a felon may lawfully use one to hunt animals), but using a bow and arrow against other humans (as Green Arrow does) would make it a deadly weapon.  State v. Pratte, 959 A.2d 200 (N.H. 2008).

We’ll take a look at the legal issues that the series raises as we watch more episodes. Somewhat irritatingly for us it’s not clear what state Starling City is located in; maybe that will be cleared up in the future.  But for starters, this is a violent version of Green Arrow that runs on the darker side of what it means to be a hero. This is actually somewhat in keeping with the Green Arrow from the comics, as starting in the late 1960s with Denny O’Neil, Oliver Queen has been a somewhat anti-establishment figure. As we go through the Arrow series, we’ll also be taking a look at the classic Green Arrow/Green Lantern pairing O’Neil wrote, which is widely regarded as a watershed moment in comics history. Look for those posts to come!

Castle: “Probable Cause”

There are a lot of spoilers in this one, so we’ll cover the setup inside. But the issue we’re looking at here is the nature of the criminal offense of escape and its potential sentence under New York Penal Law Continue reading